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Vous avez sélectionné:
Carry You Home
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.01€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.01€
Easy Way to Guitar C
Easy Way to Guitar C
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Easy Way to Guitar C
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay...
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Guitar - Beginning - SKU: M0.93196MEB Folk. Ebook and online audio. 49 pages. Mel Bay Publications - Digital Sheet Music #93196MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.93196MEB). ISBN 9781610654180. 8.75X11.75 inches.Easy Way to Guitar C is a popular, easy to understand childrenÂ’s course designed to give the student a thorough grounding in note reading and solo performance. Chord playing is introduced gradually, utilizing simplified chords. Creative graphics, color, and short pieces in big-note format make this an appealing series for the young guitar student. A few easy duets are included in each book for performance with a teacher or a friend. Standard notation only. Includes access to online audio.
Song List
: A Rhythm Review A Rondo For Two Guitars M. Gebauer, Opus 10 Around Her Hair She Wore A Purple Ribbon Auld Lang Syne Aura Lee Balkan Moon Black is the Color of My True Love's Hair Blue Guitar Bublitchki Careless Love Carry Me Back To Old Virginny Bland Darling Nellie Gray Duet In D Minor Mazas Grandfather's Clock Greensleeves Gypsy Guitars Joshua Lament In E Minor Little Annie Rooney Londonderry Air March Slav Tschaikowsky Melody If F Rebenstein-Bay Mustang My Bonnie Oh! Susanna Polly Wolly Doodle Seeing Nellie Home Shenandoah Ski Jump Sombrero Thanksgiving The Girl I Left Behind Me The Guitar Festival Mazas The March Of The Robots The Melancholy Maid The Steeplechase The Streets Of Laredo The Swiss Yodeler Waltz in B minor When The Saints Go Marching In
$14.99 ≈
13.98€
Unnamed series four short pieces for Orchestral instruments
Unnamed series four short pieces for Orchestral instruments
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Roque Lazarus
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Roque Lazarus
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Unnamed series four short piec
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Roque Lazarus
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazaru...
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Woodwind Ensemble - Level 3 - SKU: A0.1031516 Composed by Roque Lazarus. Arranged by Roque Lazarus. Contemporary,Holiday,Love,Pop. 4 pages. Roque Lazarus #3434877. Published by Roque Lazarus (A0.1031516). This is a simple set of four hand-written tunes for solo-flute, double-bass duo, oboe duo and violin and double-bass duet but can be performed by other instruments as well , composed for students and hobby musicians...to enjoy playing or sight reading and it is sure to bring a smile on the face of their listener.s This is one of a series of short one page 'unnamed' compositions that I am writing this year 2018, to gather funds to celebrate 30 years program and concert of our music school 'Axl School of music (and technology)' established by me in the summer of 1989 in my ancestral house at Caranzalem Goa India. After tutoring and mentoring music students, audio recording students, bands, choirs, new composers, conductors and forming and training our flagship Orchestra, 'COSMOS EXOTIC ORCHESTRA' over 1000 pupils are all over the world now, some professional teachers, musicians, artists but mostly music lovers and appreciators, some of our students can be seen at www.axlschoolofmusic.blogspot.com and www.youtube.com/axlschoolofmusic We hope you will be kind enough to purchase a copy of my original compositions which will enable me to set up new home-studios and venues to impart music to youngsters, find prodigies and carry the legacy forward into this wide World. Our philosophy is broadcast in our monologues through www.facebook.com/alienbabauniversalmatter and www.writerscafe.org/roquelazarus Our aim is peace and a good life for all. www.reverbnation.com/roquelazarus .
$1.99 ≈
1.86€
Hungarian Dance No. 5 for Xylophone and Bass Clarinet
Hungarian Dance No. 5 for Xylophone and Bass Clarinet
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Classique
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Johannes Brahms
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Cynthia Goosby
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Hungarian Dance No. 5 for Xylo
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Cynthia Goosby
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet,Xylophone - Level 4 - SKU: A0.940086 Composed by Johannes Brahms. Arranged by Cynthia Goosby. Children...
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Instrumental Duet Bass Clarinet,Instrumental Duet,Xylophone - Level 4 - SKU: A0.940086 Composed by Johannes Brahms. Arranged by Cynthia Goosby. Children,Romantic Period,Standards. Score and parts. 7 pages. Cynthia Goosby #3398753. Published by Cynthia Goosby (A0.940086). This arrangement of Johannes Brahms' Hungarian Dance No. 5 for xylophone and bass clarinet is perfect programming for a children's outreach concert or any fun public performance. With technical runs to wow your audience, and a familiar tune they'll carry home with them, this short piece is the perfect encore. No low extensions needed for the bass clarinet! Duration: 2 minutes. Level: Advanced Intermediate
$4.99 ≈
4.65€
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Carry You Home
